劇情簡介： 某些事件本身是被遺忘的，被摒除於版權之外，更是某個地域裏人的共同創作和耳目相傳。這些無多大價值卻存附於地景、時空的事件該有保留下來的意義。試問當發生事件的地景逐漸蛻變時，事件本身是否行將消亡？作為個體，我或許可以紀錄下些什麼。 Some occurrences themselves are forgotten and being got rid of any copyrights. What』s more these occurrences were created and shared by people in a certain place. Although these oc劇情簡介： 某些事件本身是被遺忘的，被摒除於版權之外，更是某個地域裏人的共同創作和耳目相傳。這些無多大價值卻存附於地景、時空的事件該有保留下來的意義。試問當發生事件的地景逐漸蛻變時，事件本身是否行將消亡？作為個體，我或許可以紀錄下些什麼。 Some occurrences themselves are forgotten and being got rid of any copyrights. What』s more these occurrences were created and shared by people in a certain place. Although these occurrences are worthless, they are still meaningful for reservation. When the places that something occurred have changed gradually, will occurrences themselves die out soon? As an individual, I may record something. 導演闡述： 10年前迷上電影的時候，我構思了《拐人》的雛形無人?未知。直至2015年，《拐人》得以面世。時隔3年再創作《拐人2：公有領域》。我希望為《拐人》補遺之餘，進一步深入探討私人與公共、創作與共享、事件與地景之間的關係。這也是我對地緣的一種映像層面的實驗和存檔。 When I became interested in movie 10 years ago, I thought up the idea of Unmanned / Unknown—the prototype of Abduction. Until 2015, Abduction has been created. After 3 years, I am eager to create Abduction 2: Public Domain. During the creation, I want to make an addendum for Abduction. At the same time, I want to explore deeper the relationships between privacy/public, creation/sharing and occurrences/landscapes. Also that』s a visual experiment and archive of my research about GEO.詳情
塔拉·雷德 Karishma Ahluwalia 帕維什·齊納 奧米·瓦依達 Rique 卡維·拉茲 Cesar Cipriano Sewell Whitney Mona Sishodia Iyad Hajjaj Pritesh Shah Fahad Olayan Paul Louis Harrell Dean Schaller Kevin Mukherji
